visual representation of Moses, particularly during a critical moment of heightened internal conflict, as traditionally interpreted when Moses witnesses the idolatry of his people. Freud argues against the common interpretations, suggesting that Michelangelo's work represents a deeper psychological state, illustrating the struggle between passion and restraint. He highlights the intricate details of the figure's pose, the positioning of the hands, and how they contribute to understanding Moses's character as a passionate leader facing profound disappointment. Ultimately, Freud suggests that the artwork transcends the historical account, offering insights into the nature of human emotions, conflict, and the resolutions we impose upon ourselves. (This is an automatically generated summary.)