Der Moses des Michelangelo by Sigmund Freud

(17 User reviews)   5269
By Thomas Pham Posted on Jan 9, 2026
In Category - Online Safety
Freud, Sigmund, 1856-1939 Freud, Sigmund, 1856-1939
German
Hey, have you ever stared at a famous piece of art and felt like you were missing something huge? That's exactly what happened to Sigmund Freud with Michelangelo's statue of Moses. In this short but mind-bending essay, Freud isn't just looking at the sculpture; he's trying to psychoanalyze it. He argues that everyone, for 400 years, has been misreading Moses's furious expression. Freud sees not rage, but the supreme moment of a leader mastering his own explosive anger to protect something sacred. It's a wild, personal detective story where the world's most famous psychologist puts his own theories to the test against Renaissance marble. You'll never look at a museum statue the same way again.
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So, here's the setup: Sigmund Freud, the father of psychoanalysis, was kind of obsessed with Michelangelo's statue of Moses in Rome. He'd visit it, stare at it, and get totally frustrated. The standard story was that this Moses, holding the Ten Commandments, has just caught his people worshipping a golden calf and is about to smash the tablets in rage. But to Freud, the statue's pose and expression didn't add up. It didn't look like someone in the middle of a violent outburst.

The Story

This isn't a story with characters in the normal sense—the main character is the statue itself. Freud acts as a detective, breaking down every detail: the turn of Moses's head, the grip of his fingers in his beard, the way the tablets are tucked under his arm. He pieces together a new, shocking scene. Freud believes Michelangelo captured the exact moment after Moses's initial fury. He sees a man who has just managed to control his overwhelming anger, pulling his hand back from his beard (and away from the tablets) to prevent himself from destroying them. It's a portrait of immense, tragic self-control.

Why You Should Read It

What's amazing is watching Freud's mind work. He's applying his ideas about repressed emotions and unconscious motives to a block of stone. You get this intimate look at how he thinks, how he questions everything, even centuries of accepted wisdom. It's less about proving a theory and more about sharing a personal revelation. He's genuinely excited to show you what he sees. You feel like you're standing next to him in the church, squinting at the marble, trying to see the story he sees.

Final Verdict

This is a perfect little brain snack for anyone curious about art, psychology, or just great detective work. You don't need to be a Freud expert or an art historian. It's for people who love the idea that there might be hidden stories in the world's most famous artworks, waiting for someone to come along and notice the clues. If you enjoy seeing a brilliant mind get passionately obsessed with a single, puzzling detail, you'll love this.



📢 Free to Use

This historical work is free of copyright protections. Preserving history for future generations.

Melissa Torres
1 year ago

Essential reading for students of this field.

Richard King
1 month ago

Used this for my thesis, incredibly useful.

Ashley Johnson
9 months ago

I stumbled upon this title and the character development leaves a lasting impact. Truly inspiring.

Aiden Wilson
2 months ago

The formatting on this digital edition is flawless.

Oliver Young
6 months ago

Five stars!

5
5 out of 5 (17 User reviews )

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